![]() ![]() The technique disappeared before the end of the 4th century BC. ![]() Preliminary work would involve rough sketches which would bruise the surface of the vase A relief line is used and the differing thicknesses of paint created the illusion of texture. Painter: Euphronius, this is known because he signed his name in a purple glaze Group of artists: The Pioneers, so called because they were among the first to use red figure also renowned for their interest in the depiction of the human form and movementģ Red Figure Technique Invented in Athens around 525BC Through the introduction and removal of oxygen in the kiln and, simultaneously, the increase and decrease in temperature, the slip transformed into a glossy black color.2 Attribution Details When made: 510-500 BC Potter: Unknown At this point, the unpainted zones of the vessel became red again while the vitrified slip (the painted areas) retained a glossy black hue. Finally, in the last stage, the vents were reopened and oxidizing conditions returned inside the kiln. Next, by sealing the vents and increasing temperature to around 900-950° centigrade, everything turned black and the areas painted with the slip vitrified (transformed into a glassy substance). At this point, the entire vase turned red in color. First, the temperature was stoked to about 800° centigrade and vents allowed for an oxidizing environment. Not only did the pots have to be stacked in the kiln in a specific manner, but the conditions inside had to be precise. To produce the characteristic red and black colors found on vases, Greek craftsmen used liquid clay as paint (termed “slip”) and perfected a complicated three-stage firing process.
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